Friday, August 21, 2009
.
— C.D. Wright
Sunday, August 16, 2009
reflections on the first two weeks in lawrence, kansas.
some pretty cool things have happened since moving here, a lot of them bug-related. the midwest is very different from the west, in that they have a lot of bugs here, and that here bugs don't really mind their own business-- they are your neighbors, your tenants, your enemies, and your entertainment. within the first few days i had countless bites all over my legs, and am learning when it is appropriate to wear shorts (not on damp nights, for example, while standing still). but there have been a number of magical moments with insects, for example:
life here has, thus far, centered around writing (and school) and food. i hope nothing about that changes. we have attended a few farmer's markets, and at the first one i spent about $8.00 solely on tomatoes. but i bought a lot of cherry tomatoes-- different kinds of yellows and reds-- and some heirloom reds, and then something i'd never heard of: snow whites. we bought 5 or so of these. they aren't very big, but are delicate and sweet. we ate them sliced and plain.
so, while my life may be centered around the price of peaches and lillies @ any of the three weekly farmer's markets, or lesson plans, or writing or submitting pieces, believe it or not, that isn't the focus of all of lawrence. the university of kansas has what some people call a sports program, and have enjoyed what some might call "success." stay tuned. someday i'll find that camera chord, and then you'll see new furniture and the thrilling conclusion to how i've decorated my vanity! (and, check back to tomatosugar, because there are peaches @ the farmer's market, and i have plans)....
Monday, August 3, 2009
Amen Najen
in memoriam
August 3, 2004.
Amen Najen; the opening
and the closing of eyes forever
by Iris Moulton
I.
And oh to the hands
reaching in doorways
not allowed to grip.
And oh to the hands
from one other side to
the other other and to
the mourners walking
steadily on.
To the rain and the
water and the rivers
leading home; to the
sun and the mirrors
and all the bleeding roads.
To the song of metal’s last breath
and a silent knowing slicing
chaos into peace.
To the pieces and the
pieces and the pieces and
the whole. To the
void finding slumber
behind screaming walls. To the
void making rain on the
front yards of America. To the
void talking fashion over
the shrieking urgency of
youth. To the void walking in
and out of pink-doored houses.
To the void dancing free
on empty-spotlight ballet
stages. To the void climbing
into empty beds for one
more always rest. To the after
and before speaking with one mouth.
For the ever. Listening.
II.
Birthmark continent and
pairs of feet walking
through summers on shaky
ground. Get-away-cars
charged and good to get
going running and ringing
suburban bells to wake
the sleeping. Half-naked
nights spent exposed and
half-waiting for some happening
to get to it.
And on the wall a clock is
throwing seconds away
while knowing too much. On
the wall a clock is ticking
rationed time away. On the
wall a clock is murdering
moments; color changes
grey and slowly turns to
ash in the corner of a
crowded room.
III.
The sunset is a thousand
colors of gold as her
head touches the
pillow. The sky is singing a thousand
blues when her eyes shut.
Dreams turn the color
of gone as she wakes
for the last time to last
for ever.
IV.
And oh her hands as they
reach through the doorway
greeted by the absence of
others. And oh the hands left
praying in doorways; solemn
pyramids that will not
guide those passing by.
Hands that won’t stop singing.
Fingers that won’t
touch, arms that won’t hold,
minds that will never know
the instant aging of a thousand
years in that second of
ultimate loneliness. A lifetime
lived complete in the time
it takes to mouth
“good-bye.”
V.
Streets are dark and dry now. Eyes
are opening with your closing
and vows are speaking softly to wed
the sky. Join with something.
So desperate to commune we
can be found holding the
ground– belly down– and weeping.
So tongueless and hollow-cheeked
we speak in stunned silences [or]
memories are the only language left.
Mothers are standing in doorways.
Green ribbons are tied
like the holding of hands.
Green ribbons are tied
like the holding of hands through
doorways.
original poem c. Iris Moulton 2004
first appeared in where the echoes go

